Summary
A specialist in ancient Greek literature and culture, especially Archaic Greek poetry and Herodotus, Leslie Kurke is Gladys Rehard Wood Chair and Professor of Classics and Comparative Literature. Her recent publications include Aesopic Conversations: Popular Tradition, Cultural Dialogue, and the Invention of Greek Prose(co-edited with Carol Dougherty) and The Cultures Within Ancient Greek Culture: Contact, Conflict, Collaboration. Professor Kurke is currently researching the aesthetics of choral song and dance in ancient Greece, as well as the religious, social, and political effects achieved by song and dance in performance.
A specialist in ancient Greek literature and culture, especially Archaic Greek poetry and Herodotus, Leslie Kurke is Gladys Rehard Wood Chair and Professor of Classics and Comparative Literature. Her recent publications include Aesopic Conversations: Popular Tradition, Cultural Dialogue, and the Invention of Greek Prose(co-edited with Carol Dougherty) and The Cultures Within Ancient Greek Culture: Contact, Conflict, Collaboration. Professor Kurke is currently researching the aesthetics of choral song and dance in ancient Greece, as well as the religious, social, and political effects achieved by song and dance in performance.
Current Institution | University of California, Berkeley |
Department | Classics |
Disciplines | |
Address | 7233 Dwinelle Hall #2520 Berkeley California 94720-2520 United States Phone: (510) 642-2054 |
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Princeton University
Ph.D.,
Classics
(1988)
Princeton University
M.A.,
Classics
(1984)
Bryn Mawr College
B.A.,
Greek Literature
(1981)
Publication Summary
Books
- Aesopic Conversations: Popular Tradition, Cultural Dialogue, and the Invention of Greek Prose, Princeton University Press, 2011
- Editor (with Carol Dougherty), The Cultures Within Ancient Greek Culture: Contact, Conflict, Collaboration, Cambridge University Press, 2003 (paperback reprint, Cambridge University Press, 2011)
- Coins, Bodies, Games, and Gold: The Politics of Meaning in Archaic Greece, Princeton University Press, 1999
- Editor (with Carol Dougherty), Cultural Poetics in Archaic Greece: Cult, Performance, Politics, Cambridge University Press, 1993 (paperback reprint, Oxford University Press, 1998)
- The Traffic in Praise: Pindar and the Poetics of Social Economy, Cornell University Press, 1991
Articles & Book Chapters
- 2009 “‘Counterfeit Oracles’ and ‘Legal Tender’: The Politics of Oracular Consultation in Herodotus,” Classical World 102.4: 417-38.
- 2007 “Archaic Greek Poetry,” in The Cambridge Companion to Archaic Greece, ed. H. A. Shapiro (Cambridge University Press), pp. 141-68.“Visualizing the Choral: Epichoric Poetry, Ritual, and Elite Negotiation in FifthCentury Thebes,” in Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature, ed. C. Kraus, S. Goldhill, H. P. Foley, and J. Elsner (Oxford University Press), pp. 63-101.
- 2006 “Plato, Aesop, and the Beginnings of Mimetic Prose,” Representations 94: 6-52.
- 2005 “Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian,” Classical Antiquity 24: 81-130.
- 2003 “Introduction: The Cultures within Greek Culture,” (with C. Dougherty) in The Cultures Within Ancient Greek Culture: Contact, Conflict, Collaboration, ed. by C. Dougherty and L. Kurke (Cambridge University Press), pp. 1-19.“Aesop and the Contestation of Delphic Authority,” in The Cultures Within Ancient Greek Culture: Contact, Conflict, Collaboration, ed. by C. Dougherty and L. Kurke (Cambridge University Press), pp. 77-100.
- 2002 “Gender, Politics, and Subversion in the Chreiai of Machon,” Proceedings of the Cambridge Philological Society 48: 20-65.“Greek Games and Ideologies in the Archaic and Classical Periods,” Paragrana: Internationale Zeitschrift für Historische Anthropologie 11.1: 15-50.“Money and Mythic History: The Contestation of Transactional Orders in the Fifth Century BC,” in The Ancient Economy, ed. Walter Scheidel and Sitta von Reden (Edinburgh University Press), pp. 88-113.
- 2000 “The Strangeness of ‘Song Culture’: Archaic Greek Poetry,” and “Charting the Poles of History: Herodotos and Thoukydides,” in Literature in the Greek & Roman Worlds: A New Perspective, ed. Oliver Taplin (Oxford University Press), pp. 58-87, 133-155.L. KURKE 3
- 1999 “Ancient Greek Board Games and How to Play Them,” Classical Philology 94: 247-267.
- 1997 “The Cultural Impact of (on) Democracy: Decentering Tragedy,” in Democracy 2500: Questions and Challenges, ed. by Ian Morris and Kurt Raaflaub (Archaeological Institute of America, Conference and Colloquia Papers), pp. 155–69.“Inventing the Hetaira: Sex, Politics, and Discursive Conflict in Archaic Greece,” Classical Antiquity 16: 106–150.
- 1996 “Pindar and the Prostitutes, or Reading Ancient ‘Pornography’,” Arion (3rd series) 4, no. 2: 49–75; reprinted in Constructions of the Classical Body, ed. by James I. Porter (Ann Arbor: University of Michigan Press, 1999), pp. 101–25.
- 1995 “Herodotus and the Language of Metals,” Helios 22: 36–64.
- 1994 “Pudenda Asiae Minoris” (with Andrew Garrett), Harvard Studies in Classical Philology 96: 75–83.“Crisis and Decorum in Sixth–Century Lesbos: Reading Alkaios Otherwise,” Quaderni Urbinati di cultura classica, N.S. 47: 67–92.
- 1993 “Introduction” (with Carol Dougherty), in Cultural Poetics in Archaic Greece: Cult, Performance, Politics, ed. by Carol Dougherty and Leslie Kurke (Cambridge University Press), pp. 1–13. “The Economy of Kudos,” in Cultural Poetics in Archaic Greece: Cult, Performance, Politics, ed. by Carol Dougherty and Leslie Kurke (Cambridge University Press), pp. 131–63.
- 1992 “The Politics of ἁβροσύνη in Archaic Greece,” Classical Antiquity 11: 91–120.
- 1991 “Fathers and Sons: A Note on Pindaric Ambiguity,” American Journal of Philology 112: 287–300.
- 1990 “Pindar’s Sixth Pythian and the Tradition of Advice Poetry,” Transactions of the American Philological Association 120: 85–107
- 1989 “ΚΑΠΗΛΕΙΑ and Deceit: Theognis 59–60,” American Journal of Philology 110: 535–44.“Pouring Prayers: A Formula of Indo–European Sacral Poetry?,” Journal of Indo–European Studies 17: 113–25.
- 1988 “The Poet’s Pentathlon: Genre in Pindar’s First Isthmian,” Greek, Roman, and Byzantine Studies 29: 97–113
Books
Other Publications